![]() ![]() This is a stage every great songwriter, producer, composer, and improviser has reached. You have played a diminished chord, and you can’t imagine how anybody could possibly make good music out of it. This chord really catches your ear, it seems so unpleasant. You play around with some new ideas to change things up a bit and land on the triad built on the seventh degree of a major (or minor) scale. You know which chords get along and which need some distance from one other, but your chord progressions are getting a little too predictable. Ok, so you’ve mastered the major and minor triads. ![]() Diminished Chords: The Most Misunderstood Of Them All
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |